With Pro Import AE for Adobe After Effects, your digital desktop has never been more powerful or compete. Translating a sequence from an Avid® or Final Cut Pro editing system, or a project from Apple's Motion takes just seconds, importing all your media and clips in one step. Effects are translated and recreated for you and your timeline becomes a composition in After Effects, ready for you to take your vision to the next level.
Pro Import AE 5.0 works with After Effects CS3, CS4 and CS5.
Slip your shots in After Effects using media handles
Not only are your edits translated, your media is imported -- All the media referenced by your sequence. This means you can actually slip and trim your shots in After Effects!
Layer name maintenance, what you had is what you get
When you import your sequence, the layers in After Effects are named after the clips you had in your Avid or FCP timeline. No dealing with odd media file names.
Option to reference original R3D files instead of QuickTime proxies
If you're working with RED proxies in FCP but want to work with the R3Ds in After Effects Pro Import can save you even more time!
No duplicate media files
After Effects uses the same media files as your NLE, so no additional storage space is required.
Keyframes
Not only are many parameters translated into After Effects, but keyframes are too!
Save time and money!
Even the most complex sequences import in just seconds. The time you save is enormous, soon you won't be able to work without it!
Macintosh
Mac OS 10.3.9 or later
Adobe After Effects 7.0 to CS5
QuickTime 4 or later
Avid QuickTime codecs (for Meridien media)
Avid DV QuickTime Component (for DV media)