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Element 3D Update: 1.0.345

Posted 9 months ago by Ian Easton - Posted in General

New update for Element 3D is here and free to all current and new customers. VCP have added a few new features and many bug fixes and improvements.

The big news is improved anti-aliasing (cleaner edges and less flickering) using Super Sampling. There is also several bevel improvements for text that get’s rid of strange artifacts and a higher path resolution option called “Extreme” for smoother outlines.


PLEASE NOTE: Previous Customers can download the Patch Installer that contains just the new plug-in ( only 4 MBs). New Customers should download the full installer that contains all the 3D models and images.

Improvements:

Added Super Sampling option.

Improved extrusion engine.

New Path Resolution mode “Extreme”

Several stability improvements.

Fixed fading custom textures.

Fixed crashed with multiprocessor rendering.

Fixed licensing issues.

Fixed scale normalization and anchor point issue.

Fixed missing texture preview.

Fixed 3D Pack models now work as Replicator Shape

Posted by Ian Easton
Tags: Element 3D Video Copilot ,

Red Giant release Trapcode Suite 12

Posted 9 months ago by Ian Easton - Posted in General

Hello!

Red Giant's Trapcode Suite 12 is here!

With this release, Trapcode Suite adds Adobe Creative Suite 6 (CS6) updates; bonus Guru Presets for Shine and Particular; and Trapcode Mir, the new product from Trapcode creator Peder Norrby.

What’s New and Exciting in Trapcode Suite 12?

Trapcode Suite delivers ten full-featured tools that create beautiful, realistic visual effects — with a strong emphasis on flexible 3D content — for text titles, animated backgrounds, logo treatments and VFX design. In this latest release, Trapcode Suite 12 offers the new Trapcode Mir product, three product updates and bonus Guru Presets. 

Trapcode Mir – Brand New Motion Design Tool

Sneak-previewed at NAB 2012, Trapcode Mir creates beautiful mesh objects made of polygons, shaped by fractal noise, and textured and illuminated in a 3D environment. Because it is built on the OpenGL standard, Trapcode Mir allows instant previews and faster design workflows.

The core of Trapcode Mir is simple and powerful: A mesh object that’s made of polygons, shaped by fractal noise, and textured and illuminated in a 3D environment. Trapcode Mir uses the OpenGL rendering (hardware acceleration) so feedback and rendering is FAST! Trapcode Mir is a powerful and fun plug-in that can do a lot. So to help you get started using Trapcode Mir, Harry Frank has created 17 Mir Presets -  found in the AE Effects and Presets Panel. They’ll be installed with Trapcode Mir and Trapcode Suite 12.

Maintenance Updates for: Lux, Echospace, Particular, & Form

Form and Particular  – fixes the issue of CS6 not updating sprite textures, layer emitters, and layer maps correctly when editing an input layer.

Lux 1.3.0 -  adds dither for 8 and 16 bit  (smoother gradients Lighting)

Echospace – fixes a bug with Layer Delay.

Trapcode Lux 1.3 update - Lux simulates the 'visible light' phenomenon of light in a dark or foggy environment. The product creates realistic light sources for spotlights, flashlights, headlights and stage lighting, and offers 32-bpc support. This update adds dither for 8-bit and 16-bit modes.

 

Pricing:

Save 5% on both Trapcode Suite 12 and Trapcode Mir with AV3:

Trapcode Suite 12 (RRP $899) - AV3 Price $809.

Trapcode Suite 12 Special Upgrade (RRP $499) AV3 Price $449.

Trapcode Suite 12 Upgrade (RRP $99) - AV3 Price $89.

Trapcode Mir (RRP $99) - AV3 Price $89. 

 

Cheers,

AV3 

Posted by Ian Easton
Tags: Trapcode Suite 12 ,

Digieffects now ready for CS6

Posted about 1 year ago by Ian Easton - Posted in General
With the announcement of After Effects and Premiere Pro CS6, all three Digieffects plug-in suites: Buena Depth Cue, Damage, and Delirium will be compatible with the new update from Adobe. 
 
We at AV3 guarantee a 5% discount on the retail price.
 
So get your copy from AV3 now and you will receive the update for FREE!
 
Cheers,
 
AV3
 
Posted by Ian Easton

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